He thinks about his aunt: she seems to care for him, but he wants something more stable than love. Everything around him seems as dead as the ground beneath the tree.
Topic Tracking: Philosophy 9 Wealtheow watches Hrothulf sleep, amazed at how sad such a young man is. She murmurs that he will grow sadder still: his young cousins, who he loves now, will one day take the throne, and rule over him. He will not feel so close to them then. She herself used to be calm and loving, but now that she has grown up, she does not sleep well anymore.
Grendel watched Hrothulf get sadder and angrier. He never spoke, except to an old peasant who was his advisor. Grendel hated this old man: he was deaf and so yelled at everyone, and he smelled bad, and spit when he talked. Grendel listened sometimes to the two of them talking philosophically. The old man talked about revolutions: violence occurs when current events make it unavoidable, and then violence becomes heroic.
He saw this as natural and good--it is sometimes the only way to change things. He continued, telling the young prince that kingdoms exist to protect those in power and pretend to protect the poor.
Hrothulf was upset by the injustice of such a system. The old man said that revolutions are equally valid but no more just forms of controlling people: each is just a different way of gaining power for some and keeping others down. He got angry, not realizing that he was revealing his own powerful status: as the prince, he had a right to get angry, but the peasant did not.
He cried that no one would say that violence is good, no matter what the result of it was. The peasant disagreed: that's just what he believed. Hrothulf said nothing, looking thoughtful. Topic Tracking: Philosophy 10 Hrothulf is kind to his cousins, who are both toddlers. He is awkward around everyone else. Everyone in the meadhall knows that one day these boys will grow up and become violent rulers, but no one can really believe it--except Hrothgar, whose sad life, tortured by Grendel, has made him wise.
He was once a great man, but now he can only use his wisdom to wonder when Grendel will attack next, and about which other kings are ready to overthrow him. He looks at Wealtheow, knowing that she is too young and beautiful for him, knowing that she knows all his fears and worries, which makes them worse. Grendel says, "How, if I know all this, you may ask, could I hound him--shatter him again and again, drive him deeper and deeper into woe? I have no answer, except perhaps this: why should I not?
In fact, he has made the king the wise, noble man he is today. He adds that he is simply what he is: a monster, driven by blood-lust, so he acts like one. But he cannot believe that all of the pain and confusion, on both sides, could lead to nothing. He gives Hrothgar what he calls a horrible dream, about their first meeting, when Grendel was stuck in the tree trunk and Hrothgar threw an axe at him.
Topic Tracking: Identity 8. Chapter 9 It is December, and the landscape is frightening and dangerous. Everything is dead or dying. Grendel is afraid without knowing exactly why. He watches one of Hrothgar's men hunting a deer.
It is an image of beauty and calmness. It almost looks as if it were planned from the beginning, as though the deer was waiting for the hunter. Everything is slow and still, until the deer is hit with the arrow. Then time speeds up--the deer crumples to the ground and abruptly dies. I sense some riddle in it. The priests, using a language closer to Grendel's than to the Danes', pray to each of their many gods. Grendel and Hrothulf's advisor are equally disgusted.
It's all ritual, with no feeling behind it. Years ago, Grendel remembers, he destroyed their holy place, smashing their statues. No one, he says, minded much except the priests. The place was restored--people seemed to think doing so was boring, but necessary-and Grendel never bothered to attack it again. They know Grendel is probably coming. But Grendel waits in the holy place, and hears someone walking near.
It is Ork, an ancient, kindly priest. Grendel pretends to be the greatest god, the Destroyer. Grendel teases Ork, asking him what he knows about the King of the Gods. Unexpectedly, the priest begins a complex speech: there can be no rational explanation for the god, because he is beyond rational thought. He is, in fact, the basis of rational thought. Grendel is surprised to see that Ork is crying.
Ork continues: the King of Gods creates meaning for humans. He is the reason life is not pointless. The ultimate wisdom is in knowing the way things are connected, even though they might not seem to be. Grendel is utterly confused, but he hears people coming and is forced to sneak away. Three priests approach Ork, and Grendel listens secretly.
They chide Ork for staying out late in the cold. None of them believe that Ork talked to God, and they are all preoccupied with being proper and holy in every way. Another, younger priest runs up.
He is very excited that Ork has seen the Destroyer. He says that Ork never used to be able to see anything but rational, concrete ideas and things, but now, he understands the absurd and the fantastic. The young priest is thrilled and keeps yelling, but the other men seem to think he is a fool. Grendel no longer feels like killing them, and leaves. The king and his people are asleep. Grendel watches, knowing he should be at home too.
He would like to go to the dragon, but he can't. He looks up at the sky, and sees that it is black, but bright. He is confused, and feels uncomfortable. He is waiting for something. Chapter 10 Grendel is driven crazy from waiting. He feels the dragon in the earth, hears the young priest yelling praise for the gods, and learns that the Shaper is sick.
A goat approaches Grendel's lair, and he tells it to go away. It doesn't listen, so he throws stones at it. Though he breaks its skull open and knocks it down several times, the goat does not give up. Its instinct is to climb, so it keeps climbing. Grendel keeps throwing rocks. Topic Tracking: Identity 10 Grendel watches the town at work. People farm, cook, and build.
He hears a woman tell a story about a man who lives across the sea, a man as strong as thirty of their men. She says that one day, he will come to their town. Grendel appears in this quiet, country scene, killing some of the children. He sees the whole thing as a cycle. The Shaper is very sick. People wait on him, and he asks for a woman who does not come. Grendel is pleased that the old man, who once so easily manipulated him, is now helpless.
He assumes that everyone sitting at the Shaper's bedside is just waiting for him to die. The Shaper begins to speak about the future of the Danes, but before he can come to the point, he dies. Grendel looks in on a woman in a nearby house. She is the one the Shaper wanted to see. Grendel knows that sometimes he sang his songs for her. But she is married, and nothing ever happened between them. Grendel suddenly has the urge to kill the woman, but he resists it.
He looks again at the Shaper, who is being prepared for his funeral. Unsatisfied, he finally returns home. At home, Grendel is irritated with his mother. She seems disturbed and crazy, sometimes walking on two legs, sometimes on four. She doesn't want to let him leave. She tries to speak, but always fails. Grendel, however, is thinking deeply about the Shaper's death. He no longer feels the same about history. He now thinks that history does not exist: there are only moments in time, one after the other.
There is only now. He thinks about how he used to love his mother, when he was small, and how he should have killed the Shaper long ago. He goes to the funeral. His mother tries to stop him, and for a moment he thinks she knows something that he doesn't, but then he dismisses the idea.
She is upset, but "I will forget, tomorrow, so her pain is a matter of indifference. He sings a song the Shaper sang many times, about a man who becomes king of his enemies, because in war he has killed their king, and they have killed all his people.
Eventually, the people turned against their new king. Hrothgar's men listen to the song with blank faces. As they burn the Shaper's body, Grendel knows that he and the king are alone again, the way they were before the Shaper came.
He thinks he can still hear the mountain goat trying to climb to his cave. His mother is making upset sounds, and he strains to understand: Beware the fish, she says, or seems to say.
He feels like something is about to happen, though he thinks he knows nothing will. He feels the dragon again, and he feels conflicted, too: he should sleep until spring. He feels vaguely afraid. Then he thinks he's being silly.
He says, "Nihilo ex nihilo," Chapter 10, pg. Grendel feels what he thinks is joy: something exciting is happening. He could feel them coming: a strange feeling he had never experienced before. He went out to wait for the boat, and his mother did not stop him. He heard it coming steadily, the oars moving almost mechanically, and finally he saw the sail of the boat.
He watched them arrive, and a coastguard rode up to question them. Though the man acted self-important, Grendel could see that if these men wanted to fight, the coastguard was doomed. The guard asked who they were and why they were there, but they just looked at him. The leader, Beowulf, calmly told the guard that they were Geats.
His father was famous. He came to kill Grendel. He said all this politely, but there was something unfeeling and mocking in his tone. Grendel, listening to all this, pretended to be confident, but he was nervous. Yet he was also excited--suddenly, looking at Beowulf, he felt alive. Grendel wanted to follow them to the meadhall, but he was afraid that, during the day, he might be seen.
He went back to the cave and pondered the heroes, confused. He couldn't tell whether he was afraid or not. He felt like he was part of nature, as thoughtless and mechanical as a cave or a tree. He doesn't know what it means. He recalls seeing an otherwise rational, ordinary man, father of seven, travel one night to another woman's bed.
Grendel can't make sense of this. Grendel believes that all sense of order in the world is just created by humankind. He knows he will go to the meadhall, though it might be safer to stay home. He knows he isn't free. His thoughts wander from subject to subject. He thinks about the time when he decided that since if the world exists, he is the negative half of the world--the dark half--then the world must not be real.
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We are exploiting the planet and it is inevitable that many resources will run out. Could man evolve differently? Is there a higher being in each of us that needs to be honored? Can we only do this by cultivating a different part of our mind? Journey along with Professor Eric Parker as he encounters a revolutionary discovery, the missing link, and weaves a new meaning to the age old question of what it means to be fully human.
Will Parker be able to escape the death threats of fundamentalist zealots? Will he be able to save this recently discovered species from extinction fabricated by those who reject the idea of evolution in favor of special creation? Will Parker find a way to make his life a more sacred experience?
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How does the infallible lord of the underworld confront the utter unknown? For once, he must seek assistance, and from an unlikely sourcea voodoo master who once served Grendel's enemies. What solution will the dark magics of Santeria provide for the man whom all fear and obey?
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With over pages of story and art to enjoy and all cover work reproduced, Dark Horse is proud to present the Grendel Tales Omnibus collections! Grendel Prime searches the stars for a new home for mankind, and Matt Wagner returns to his darkest creation! As civilization comes to an end on Earth, the final Grendel Khan gives Grendel Prime a new directive: Find a perfect planet to be the new home for the human race.
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